Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Karl friedrich schinkel
Stage set for Mozart's Magic Flute

ID: 43854

Karl friedrich schinkel Stage set for Mozart's Magic Flute
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Karl friedrich schinkel Stage set for Mozart's Magic Flute


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Karl friedrich schinkel

German Painter and Architect, 1781-1841 German architect and painter. As state architect of Prussia (from 1815), he executed many commissions for Frederick William III and other royal family members. He based his work on the revival of various historical styles. His mausoleum for Queen Louise (1810) and the brick and terra-cotta Werdersche Kirche, Berlin (1821 ?C 30), are among the earliest Gothic Revival designs in Europe. Other works include the Greek Revival Schauspielhaus (1818) and Altes Museum (1822 ?C 30), both in Berlin. In 1830 Schinkel became director of the Prussian Office of Public Works; his work as a city planner resulted in new boulevards and squares in Berlin.  Related Paintings of Karl friedrich schinkel :. | Study for a Monument to Queen Louise | Felsentor | Portrait of the Artist-s Daughter | Stage set for Mozart's Magic Flute | the temple of lsis and osiris |
Related Artists:
PIAZZETTA, Giovanni Battista
Italian Rococo Era Painter, ca.1683-1754
Suzanne Valadon
French Post-Impressionist Painter, 1865-1938 French painter and artist's model. She led a lonely childhood in Paris as the daughter of an unmarried and unaffectionate maid, seeking refuge from her bleak circumstances by living in a dream world. While residing in the Montmartre district of Paris, she became an artist's model, working in particular with those painters who frequented the Lapin Agile. From 1880 to 1887, for example, she sat regularly for Pierre Puvis de Chavannes, posing for both the male and female figures in the Sacred Wood (1884-6; Lyon, Mus. B.-A.). She also modelled for Renoir, Luigi Zandomeneghi, Th?ophile Steinlein, Jean-Louis Forain, Giuseppe De Nittis and Jean-Jacques Henner. No longer able to tolerate the passive role of the model,
Albijn Van den Abeele
painted Coppice at Sint-Martens-Latem in 1898






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